LVMH Prize finalist Aaron Esh showed its catwalk collection at London Fashion Week \u2013\u00a0and the rising ready-to-wear label delivered one of the best showcases of this year\u2019s schedule. <\/p>\n
Taking to the Tate Modern to unveil its debut womenswear collection alongside a slew of beautiful new menswear, Aaron Esh presented a collection that brought the “rigour of Savile Row tailoring with the spirit of British subcultures” together in a range that spotlighted one the best rising British talents in moody, yet serene, settings. <\/p>\n
\u201cCombining establishment rigour with the rebellious spirit of youth culture\u201d, as per the show notes, the collection featured pieces cut from a different cloth to a crowded pool of London designers, embodying British adolescence in a sleek and sexy manner. <\/p>\n
Labelled \u2018Chaos and Control\u2019 the range symbolised the coexistence of those two themes in everyday life, channelling that dichotomy into clothing crafted for a generation that feels somewhere between both.<\/p>\n
<\/path><\/g><\/g><\/g><\/svg>View this post on Instagram<\/p>\n
A post shared by AARON ESH (@aaron.esh)<\/p><\/blockquote>\n
\u201cThe collection is very London-centric,\u2019 Esh explained to Hypebeast, \u201cit takes the sort of identity and style codes of inner city London but combines it with Parisian glamour \u2013 while subverting that to be more real and wearable.\u201d<\/p>\n
Bootleg blue jeans, charcoal uniforms, cropped bomber jackets, signature frayed baseball caps and crisp white shirts give the collection an elevated look and feel deriving from contemporary London life, with attendees on the front row able to see the quality, craft and sheen each piece was given by Esh. <\/p>\n
Esh\u2019s trademark \u2018comma\u2019 shoe has been morphed into boots and flip-flop sandals (his favourite pieces from the collection) and jeans (developed by ISKO) to give an air of a late-night off-license run, presenting the sense of loose\u00a0formality Esh has become revered for.<\/p>\n
\u201cI like this idea of like that identity of a person who wears jeans, flip flops, big shades for that early ho.rs booze run \u2013\u00a0I wanna make the clothing feel real,\u201d Esh explains, \u201cI think with a lot of luxury clothes, there’s like a lack of reality. It feels like a different world. I don’t connect or know anyone like that.\u201d<\/p>\n
<\/path><\/g><\/g><\/g><\/svg>View this post on Instagram<\/p>\n
A post shared by AARON ESH (@aaron.esh)<\/p><\/blockquote>\n
That sense of reality and personal affinity is also reflected, lovingly, in the SS24 sunglasses, which were designed by Esh\u2019s girlfriend, Fiona Hartley. \u201cAnyone can buy some sleek, Tom Ford sunglasses, but we wanted sunglasses that made sense for us,\u201d he tells us, after we talk to Esh about the glasses reminding us of his partner, \u201cThe fact that you’ve said that means they\u2019ve done their job.\u201d<\/p>\n
The collection is intentionally genderless, for Esh. \u201cThe men’s looks I think can be perceived as a point of view on gender\u2026 and when you add the women\u2019s, it doesn\u2019t. It starts to make sense as a wardrobe that sits on one rail together.\u201d \u2028\u2028Silhouettes are sleek and lean, with fluid drapery, balloon-hemmed boucle tweed coats and deep-pocketed silk bombers are stunningly refined, but provide playful, yet practical, pieces crafted for both men and women. \u201cThe nuances in the design details mean you can mix both traditional elements of menswear and womenswear between just one wardrobe\u201d<\/p>\n
Expertly-tailored jacket flaps follow the sharp curvature of mezzaluna knife edges, while buttons are covered according to the practises of couture. Elegant moleskin tailoring is finished with satin shawl-collared lapels, pleated trousers glided freely across the runway, while Lavalli\u00e8re silk shirting with trailing necklines also lean into this sense of loose, luxe formality.<\/p>\n
Launching the collection just hours after Burberry was a bold move, for Esh, but those who filled up the Blavatnik Building at The Tate got the chance to witness one of the most exciting new names in British fashion and truly understand his label\u2019s intentions. \u201cWe added 25 outfits and 25 models, it’s very, like visceral,\u201d Esh explained \u201cbeing here will help people understand what the brand is \u2013 I think we’ve really spent time just making it make sense. I think it’s valid, authentic\u2026 very me, and very us \u2013\u00a0and it\u2019s for everyone in this room working with me.\u201dRead Full Article<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"LVMH Prize finalist Aaron Esh showed its catwalk collection at London Fashion Week \u2013\u00a0and the rising ready-to-wear label delivered one<\/p>\n","protected":false},"author":2,"featured_media":83395,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[494],"tags":[],"yoast_head":"\n
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