‘Terminator: Dark Fate’ Tracks Down $2.4 Million in Thursday Night Previews

Paramount’s “Terminator: Dark Fate” has launched with $2.4 million in North American locations on Halloween night previews.

The most recent Thursday night Halloween previews took place in 2013 when “Ender’s Game” pulled in $1.4 million and went on to collect $27 million for the weekend domestically.

“Terminator: Dark Fate,” the sixth installment in the sci-fi series, has been forecast to dominate the weekend with around $40 million at 4,086 North American sites.

It’s the first franchise entry since 1991’s “Terminator 2: Judgment Day” that has series creator James Cameron and star Linda Hamilton on board, with Arnold Schwarzenegger also returning. Cameron is producing with David Ellison while Schwarzenegger and Hamilton are reprising their respective roles as the original T-800 Terminator and resistance leader Sarah Connor.

“Terminator: Dark Fate” carries a hefty $185 million price tag. Production companies are Paramount Pictures, Cameron’s Lightstorm, Ellison’s Skydance Media, 20th Century Fox and China’s Tencent Pictures.

In “Dark Fate,” Connor must protect a young girl from a deadly new killer cyborg from the future. Tim Miller (“Deadpool”) directed “Dark Fate” from a screenplay by David S. Goyer, Justin Rhodes and Billy Ray. New cast members include Mackenzie Davis, Natalia Reyes and Gabriel Luna.

Reviews have been mostly positive with a 71% “fresh” rating on Rotten Tomatoes, scoring a better response from critics than other recent “Terminator” entries.

Should “Dark Fate” top forecasts, it could become the biggest opener in the franchise. That distinction currently belongs to 2003’s “Terminator 3: Rise of the Machines” with $44 million. The most recent entry, 2015’s “Terminator Genisys,” bowed with $27 million and ended its box office run with $89.7 million in North America and $440 million globally. “Terminator 2: Judgment Day” remains the highest-grossing iteration with $520 million worldwide.

“Terminator: Dark Fate” will tower over a trio of counter-programmers: Focus Features’ Harriet Tubman biopic “Harriet,” Warner Bros.’ crime drama “Motherless Brooklyn” and Entertainment Studios Motion Pictures’ animated adventure “Arctic Dogs.” All three have been forecast to debut around $10 million each. Netflix is also opening Martin Scorsese’s “The Irishman” in limited release prior to its Nov. 27 streaming debut.

“Harriet” pulled in $600,000 in Thursday night previews. The drama is opening at 2,086 locations with a 73% score on Rotten Tomatoes.

Overall 2019 North American box office has improved in recent months but still trails last year by 5.3% at $9.23 billion as of Oct. 30, according to Comscore.

“Another incredibly diverse slate of newcomers makes this a great time to be a moviegoer, with a seemingly endless supply of cinematic options,” said Paul Dergarabedian, senior media analyst with Comscore.

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